As the demand grew for more accurate mapping and physical measurement, better visualizations were needed.
Prior to the 17 th century, data visualization existed mainly in the realm of maps, displaying land markers, cities, roads, and resources. The paper provides an excellent breakdown of major points that have lead us to modern day data visualization. Michael Friendly from York University published a paper on the milestones in the history of Data Visualization, Milestones in the History of Data Visualization: A Case Study in Statistical Historiography.
#Abraham ortelius contribution full
From simple cave drawings depicting the success of a hunt to the intricate dashboards, the history of data visualization is full of incredible stories marked by major events.
Jason Dykes, Cartographic Data Visualiserĭata visualization has come a long way. Charles de Fourcroy, Tableau Poléometrique. Michael Florent van Langren, Visual representation of statistical data. Abraham Ortelius, the First Modern Atlas (1570, Belgium). Ramon Llull, Diagrams of Relationships Between Knowledge. Su Song’s Celestial Atlas (China, 1092 AD). Positions of the Sun, Moon, and Planets Throughout the Year (Europe, 950 AD). Roman Maps, the Tabula Peutinger (366-335 BC). Welling's Historic Maps of Dutch Cartographers webpage. Ronald VereTooley, Tooley's Dictionary of Mapmakers, 1979,N.Y. James Elliot, The city in maps urban mapping to 1900,1987,London. The plans, each accompanies by Braun's printed account of the town's history, situation and commerce, form an armchair traveler's compendium, which the scholar Robert Burton in The Anatomy of Melancholy of 1621 asserted would not only provide instructions but would uplift the spirit as well. Braun's motives for adding figures to the views, however, went further: as stated in his introduction to book 1, he believed, perhaps optimistically, that his plans would not in consequence be scrutinized for military secrets by the Turks, as their religion forbade them from looking on representations of the human form. This feature was anticipated in Hans Lautensack's etched view of Nuremberg, 1552, those groups of citizens in the rural foreground add further authenticity to the highly accurate topographical details of what was effectively Germany's cultural capital at that time. Maps of Sebastian Munster from around 1550 and, and of.īraun added to the maps figures in local dress. The Civitates provided a uniquely comprehensive view of urban life at the turn of the sixteenth century. Another important source for maps was the Danish cartographer Heinrich van Rantzau (1526-1599), beter known under his Latin name Rantzovius, who provided maps of Northern Europe, specially of Danish cities. A large number of Jacob van Deventer (1505-1575), also known as Jacob Roelofszof, unpublished works, plans of towns of the Netherlands were copied, as were Stumpf's woodcuts from the Schweizer Chronik of 1548, and Munster's German views from the 15 editions of his Cosmographia. After Hoefnagel's death his son Jakob continued the He not only contributed most of the original material for the Spanish and Italian towns but also reworked and modified those of other contributors. Over a hundred of different artists and cartographers, the most significant of whom was Antwerp artist Georg (Joris) Hoefnagel (1542-1600), engraved the cooper-plates of the Civitates from drawings. He engraved most of the plates for Ortelius's Theatrum and the majority of those in the Civitates, and may have been responsible for originating the project. Nevertheless, the Civitates was designs to be more popular in approach, no doubt because the novelty of a collection of city plans and views represented a more hazardous commercial undertaking than a world atlas, for which there had been a number of successful precedents.įranz Hogenberg (1535-1590) was the son of a Munich engraves who settled in Malines. The Civitates, indeed, was intended as a companion for the Theatrum, as indicated by the similarity in the titles and by contemporary references regarding the complementary nature of two works. Braun (1541-1622), a cleric of Cologne, was the principal editor of the work, and was greatly assisted in his project by the close, and continued interest of Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was, as a systematic and comprehensive collection of maps of uniform style, the first true atlas. This great city atlas, edited by Georg Braun and largely engraved by Franz Hogenberg, eventually contained 546 prospects, bird-eye views and map views of cities from all over the world. The sixth and the final volume appeared in 1617. The first volume of the Civitates Orbis Terrarum was published in Cologne in 1572. Search By A-Z | Search By Year | Search By MapMaker |īraun and Hogenberg Civitates orbis terrarum Civitates orbis terrarum - Braun and Hogenberg
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